RTÉ is now seeking proposals for Coimisiún na Meán Sound & Vision 4 – Round 56 – Open Round, to support the production of culturally valuable broadcast content, including content in the Irish language.  

Closing date for submissions to be considered for RTÉ support in Coimisiún na Meán Sound & Vision 4 – Round 56 is Friday 11 April 2025 at 12.00 noon (strict deadline).

During RTÉ’s briefing session to the independent production sector in January, it was highlighted that RTÉ is adopting a targeted approach to Sound & Vision funding rounds. The focus will be on fewer, more ambitious projects that can attract audiences on both linear and online platforms. 

RTÉ is prioritising multi-part series over one-off programmes and encourages proposals to focus on current and future topics rather than nostalgia. Consider what viewers are discussing today, what they are disaffected with, or what excites them. What content might spark debate tomorrow? 

Producers are also encouraged to highlight Ireland’s successes, both domestically and internationally, across various disciplines. Reflect on the Irish experience abroad, especially in a time when Ireland has achieved significant accolades like Oscars and Grammys. What does this say about the evolution of Irish society? Is international success now an expectation? How and why has this happened? 

Content proposals are particularly sought in the following areas: Natural History, Arts, Faith and Ethics, History, Health, Stripped/Live events, and Climate. Projects in these genres can be produced in English, Irish, or bilingually. 

Recent examples include Ireland’s Wild Islands, The Last Priests in Ireland, Zoo Live, and Futureville Ireland. We will also consider presenter-led documentaries that align with the spirit of the Sound & Vision scheme, such as Brendan O’Connor’s Employables, Rising Tides; Ireland’s Future in a Warmer World with Philip Boucher Hayes, and The End of the World with Beanz. 

Special consideration will be given to projects with pre-committed third-party funding from other broadcasters, distributors, or agencies. All proposals should be ambitious and editorially challenging. 

Funding support is also available on a case-by-case basis to develop ideas that RTÉ wishes to support for this round or future Coimisiún na Meán rounds. 

Closing date for submissions to be considered for RTÉ support in Coimisiún na Meán Sound & Vision 4 – Round 56 is Friday 11 April 2025 at 12.00 noon (strict deadline). 

All submissions must include the full production budget, proposed RTÉ funding and other funding in RTÉ’s eCommissioning system. 

Please note only proposals submitted through RTÉ’s eCommissioning system will be considered. 

We ask, in the first instance, that producers submit ideas into the eCommissioning system: Login | RTE under the programme category “Programme Genre - CNM Round 56”, before the above closing date and time. 

CnaM Sound & Vision Rd 56 – dates for RTÉ supported programmes 

RTÉ call-out opens: Friday 28 February 2025 

RTÉ call-out closes: Friday 11 April 2025, 12 noon (strict deadline) 

RTÉ decision on successful applicants: Friday 02 May 2025 

CnaM Rd 56 closes: Thursday 29 May 2025, 12 noon 

The RTÉ timelines are designed to give supported applicants ample time to prepare and submit detailed applications to Coimisiún na Meán. For more information, please visit www.cnam.ie. 

Please ensure you are fully registered on the eCommissioning System well before the closing date, as registrations can take up to 48 hours to process. Late submissions due to late registration will not be accepted. 

RTÉ’s drama strategy is dual purpose: to showcase Irish talent to Irish audiences; and to develop Irish writers and producers to create Irish-owned IP.  

We want our returning series on a rolling annual basis so audiences can come back to their favourite characters and locations. Usually these are 6x1 hours and returnable for three series. But we also need to develop national statement pieces that have their time and place, that capture or spark a national conversation but may not be returnable. Note that these statement pieces could be limited series of four or six hours. 

The goal of RTÉ Drama is to increase the quality and volume of Irish-made television drama for our audience to enjoy. This means seeking projects to encompass both the traditional, live, linear audience and viewers primarily utilising the RTÉ Player, ultimately driving the growth to VOD.  

What we are not looking for:  

• Supernatural stories – no ghosts, vampires or mummies.  
• Science Fiction / Space Fantasy  
• Biopics (Better as features or documentaries)  
• Period drama (Anything after the late 90s is ‘contemporary’)  
• Sitcoms  
• YA (12-18) – Great to have dramas that skew younger, but remember all ideas still need to appeal to the wider audience. Consider 21-35 as a target audience instead. 
• Animation  
• Genre pieces (No hospital precincts, Garda station-based cops and robbers’ stories, for now)  

Dramas for RTÉ One must have broad appeal and these slots are all post-watershed. Sunday night dramas should provoke conversations, challenge our assumptions or beliefs, and entertain all the way through.

This should be TV for drama-lovers of all ages, like KIN, HIDDEN ASSETS, THE WALSH SISTERS.  Dramas on Sunday nights are usually 6x1 hours, and usually renewable for three series.  

Series 1 and 2 of THE DRY has been hugely successful on Wednesday nights as half hours on both RTÉ One and Player. Series 3 is shooting in midde of 2025.   

We have some half hours in development at the moment and we are looking to develop more for midweek for nights for 2026 and beyond.  

In 2022, a supersized Storyland series moved to RTÉ2 and RTÉ Player with great success. We repeated this in 2023 and 2024 and in the last three years, we were able to commission dramas that were all very different from each other in tone, pace, and appeal, but they all worked on their own terms.   

All the Storyland dramas made an impression on audiences and gave fresh talent a prime-time slot on RTÉ2.   

RTÉ actively develops projects that will meet the objectives of the various funding bodies on the Island of Ireland: The Coimisiún na Meán Sound and Vision Fund, Screen Ireland, the WRAP fund, Northern Ireland Screen as well as projects that are suited to international co-funding, pre-sales and co-production.  

If helpful, RTÉ will work closely with producers in attaching financing partners. As all our dramas are co-produced, we suggest producers talk to us early about any projects they have in mind. RTÉ has established relationships with British, European, Canadian, American, Australian and New Zealand broadcasters, as well as all the major international distribution companies. RTÉ attends all the important international markets like MIPCOM, Series Mania and Content London, and can arrange meetings and pitching sessions. 

Should you wish to submit an idea for development investment you will need to register and submit on RTÉ's e-commissioning system. Drama staff members are available to discuss ideas in advance of formal submission. A brief pitch from the writer and producer is useful at an early stage.  

Some key points to keep in mind when submitting ideas to RTÉ Drama:  

•  All submissions need to be submitted by an independent production company and / or individuals or partnerships with previous production-related experience.  
• Keep pitches concise. Make sure that they are well thought through and have a considered point and purpose.  

• Avoid following trends or mimicking what others have done; we always look for something we haven't seen before. RTÉ dramas should create their own trend.  

• Our audiences respond to contemporary drama, stories that resonate will capture the essence of modern Ireland and what it’s like to be living in Ireland today. 

• Co-production and co-financing are a high priority - be prepared to discuss financing options when you pitch, though we don’t expect you to have a fixed plan. 

• If you are a producer new to drama, or starting off on your drama journey, consider whether you need to team up with a more experienced producer. 

History of the Fund

In November 2016, RTÉ and ARTE G.E.I.E., the Strasbourg branch of the Franco-German public broadcaster ARTE, joined forces to develop and co-fund exceptional documentary projects, aiming to bring more Irish content to European audiences. Since then, ARTE G.E.I.E. and RTÉ have invested in a diverse range of Irish documentaries covering factual topics, current affairs, history, and the arts. The collaboration between ARTE commissioning editors and Irish production companies has flourished, creating numerous opportunities for Irish creative talent.

Practical Information

The fund operates on a rolling basis, with projects being developed and funded continuously. We seek standout single documentaries that have secured development or broadcast commitments from an RTÉ Commissioning Editor, which can then be pitched to ARTE’s specific documentary strands. Most documentaries for ARTE are 52 minutes long and do not include commercial breaks. The RTÉ version of the programme should be a 50 minute duration with two commercial breaks as agreed with the RTÉ Commissioning Editor.

RTÉ and ARTE welcome ideas from all genres, including Factual, Specialist Factual, Science and Natural Science, History, Archaeology and Human Endeavour, Current Affairs/Geopolitics, and Arts, Culture, and Music. We are particularly interested in compelling Irish stories with international appeal, whether they focus on ancient or contemporary history, arts, or society/current affairs. Ambitious factual, specialist factual, and arts documentaries that resonate with both Irish and European audiences are highly valued.

Given that ARTE documentaries are broadcast in multiple territories, projects led by voiceovers that can be revoiced in several languages are preferred. Presenter-led documentaries or series are generally not suitable for ARTE, except in rare cases where the presenter is a global icon, such as Angelica Huston on Joyce by Blueprint Films.

Completed projects must be delivered to ARTE 6-8 weeks before the broadcast date to allow time for translation, subtitling, and revoicing in French and German, as well as Polish, Spanish, and Italian for on-demand services. The costs for revoicing and subtitling are covered by ARTE and should not be included in the programme production budgets.

How To Apply

Production companies interested in submitting a programme proposal for the fund should initially submit their proposal through RTÉ’s e-Commissioning system Login | RTE (rtegroup.ie) . Indicate that the idea is suitable for co-production with ARTE and provide information on any other third-party funders if applicable. If the proposal is approved for further consideration, Sarah Ryder, RTÉ’s ARTE lead, will present it to the relevant ARTE commissioning executives.

Further information

For more details on the RTÉ / ARTE G.E.I.E. co-production fund, please contact Sarah Ryder at sarah.ryder@rte.ie.